I am re-reading “Portrait of the Artists Wife” by Barbara Anderson. My copy has this painting on the cover.
Frances Hodgkins Self portrait: still life circa 1935
I don’t really like this painting, but can’t say why. I much, much prefer Joanna Margaret Paul’s Self Portrait, Still Life series of dishes. Paul liked Hodgkins work very much although I hesitate to say ‘influenced’. Even though Hodgkins painting above would have been well-known to Paul, the obvious parallels between the paintings of the same title make me uncomfortable. Of course I didn’t know Paul, but the idea of her comparing her dishrack to Hodgkins scarves and whatnot, makes me squirm – especially if you consider this:
“Works such as Frances Hodgkins’ Self Portrait Still Life c.1935 demonstrate that a self portrait may in fact bear no resemblance to its maker whatsoever, yet may still reveal much about the artist’s identity and psychological make-up. Hodgkins’ painting exemplifies a non-figurative approach to self-representation, operating as an inventive fusion of the genres of portraiture and still life. The artist depicts an assemblage of personal belongings in place of her physical presence, suggesting in her choice of objects – from a dainty pink shoe to some decorative scarves – a feminine and perhaps even narcissistic aspect of her nature.”
Maybe because I could also identify myself with a dishrack?
Then last week I bought a catalogue, Adrienne Martyn: Portraits. A Survey 1979-1987, which contained this photo.
Joanna Paul, 1981 Photographed by Adrienne Martyn
The catalogue essay by Helen Telford suggests “The portrait of Joanna (1981)…reflects on a similar theme of people confined by the role they have learned to play“.
Sheesh….