Posts Tagged ‘Frizzell’

Snips and snails

June 11, 2008

So like many bloggers when in a writing funk I can again only offer tidbits. I have been musing on how art develops as an artist ages and matures but I don’t know enough about it to write yet and I’m still working on items about street art gentrification and madness and art but no one piece is coming together. I’d like to write about the weirdest email I got today acknowledging receipt of a job application which caused me to wonder if I’d actually want to work in that place.

Anyhow The Montana book award shortlists were announced yesterday and many have commented on the amount of visual arts books. Of course there is the spat about only 4 fiction titles being shortlisted and other items and the anti-Wellington sentiment creeping in again. The best comment I’ve read read on that topic so far is on Beattie’s Book blog where an anonymous commenter replies to “what’s Wellington got to do with it?” with “Wellington shot bambi’s mother”. And while there is talk of some Wellington cabal I really don’t think regionalism is the problem here. On a brighter note one of the better books I’ve read lately, Waimarino County, was shortlisted in biography section. Author Martin Edmond muses on this here.

Speaking of books, the illustrated version of Denis Glover’s Magpies has been reprinted. Illustrator Dick Frizzell says “It sank a bit when it was released actually. I threatened to reprint it myself and eventually the publishers came to the party so it was reprinted and it just kind of hung around by the skin of its teeth until it reached some sort of tipping point in the public consciousness…Although I have never called it a children’s book, a lot of parents have told me their kids wanted it read again and again until the book fell to bits. I just don’t know what the kids would be actually hearing.” Its now on MY shopping list.

I also read this interesting interview with John Updike, which begins. 

NEH Chairman Bruce Cole: I think I may have told you that in my former life I was an art historian. While there are many Ph.D. art historians, the people I most enjoyed reading were the poets and the critics who brought great language to their description of art and were able to express the meaning of the art.

John Updike: I think it’s a field where to be an amateur is not necessarily a disgrace. Some of the best have been, in a sense, amateurs-Baudelaire and Henry James, to name two.

I guess this spiked my interest because I read recently how Rita Angus hated non-artists (Fairburn and Fred Page were the examples) acting as art critics and felt they were out of their ‘zone’. She said, in turn she would not think of critiquing their music or poetry. This is something that is very common in New Zealand but there are a fair amount of people who are critics, artists and writers. It would make a good debate I think.

 

Art for Food

May 29, 2008

I seem to have generated some interest by mentioning my proposed chutney for poetry exchange. Really I am only honouring a long tradition of trading art for food. I believe the bards and minstrels of old would exchange their epics, stories and songs for food and lodging and there are plenty of examples including more recent ones. Many down-on-their-luck artists (and I imagine poets and writers) have exchanged their art for a crust. This Venice Beach cafe showcases “art from numerous Venice artists such as Ed Ruscha, Dennis Hopper and Robert Graham (trading art for food is a Venice tradition)” and landscape painter Jim Mott did a whole 10,000 mile road trip (which he called the Itinerant Artist Project) by exchanging paintings for room and board.


Our Daily Bread by Elizabeth Harris-Nichols

Payment in kind makes a lot of sense to me and in Mexicoin 1957, painter David Alfaro Siqueiros proposed that artists in Mexico be allowed to pay taxes with their work. Half a century later, this idea has given rise to one of the world’s most important collections of contemporary art.” Mind you I guess you’d have to be earning enough to need to pay tax in the first place!

And here in New Zealand when the Mangamahu Possum painting was listed for sale on Trademe, there was discussion in the comments about a tradition of leaving artwork in payment for lodgings (although a bit of a stretch in that case I think). I am certain there are many examples.


Tuna Can - Dick Frizzell

This talk of exchange and barter might be a sign of things to come, you know with peak oil and all. In the meantime I am calculating how many jars of preserves I will need to swap for a modest McCahon. And I promise that this will be the last of domestica for a bit.

NOTE: I have removed Sam Hunt from my linky list because I heard him (or a good mimic) doing an ad for Cobb and Co. today on TV - though maybe he got paid in steak and beer?

Guerilla Art

May 17, 2008

I have been thinking of writing a post about the gentrification of Street Art for the forthcoming Youthweek and Hoodie Day - their slogan ”It’s what’s under the hood that counts” makes a lot of sense to me. I upset a few people by bemoaning the lack of street type art in a recent youth art exhibition and also in my area there seems to be very little tagging let alone an major work so I was mulling over the idea of bringing some “good examples” inside for an exhibition and/or providing a legal area for some ‘youth’ to develop their work. (Of course it won’t fly but I like thinking up these schemes). My problem with this idea was that simply the fact that old/white/middle-class/educated me wants to do/see this, mainstreams it.

Also, while doing some research in this area, I found an article that does a great job of commenting on gentrification and what is or isn’t wrong about ‘gallerising’ street art.

“It’s a cycle that has become all too familiar. Anything subversive, anything meant to disrupt the status quo and challenge traditional models of thought and behavior is eventually adopted into the mainstream it is swimming against. Once caught in the currents of convention, it becomes powerless. Just another commodity to be traded in the system…It’s not enough that it exists, it must be owned. Street art grew out of a resistance to this fact. It was a fuck you to the fastidious little gallery owner and his 50 percent cut. A rejection of the exploitative nature of the collector. It was democratic rebellion. Art for everyone. But then we started buying it. And now we, as a culture who demand ownership and insist that art be hung on gleaming white walls, are the ones being splashed.”

And yes - I have considered buying - on one hand Otis Frizzell’s Geishas (an ‘older’ established exhibiting artist) and also  Component who does amazing stencil work. I’ve written on this topic before and I still am divided over what it all means. However I know that there are some definable reasons I like graffiti. First its immediacy (for example Satoboy’s flame bearing Dalai Lama) and the surprise factor but also the fleeting nature of it - which ‘gallerising’ totally defeats.

Which brings me to guerilla art, the term brought to my attention by a friend today (hat tip Showyourworkings). I absolutely love the concepts involved in this. “Guerilla art is a fun and insidious way of sharing your vision with the world. It is a method of art making which entails leaving anonymous art pieces in public places…My current fascination with it stems from a belief in the importance of making art without attachment to the outcome.” which I think stands up very well to public art ‘by committee”. Also it brings us wonderful things like this….


by Dan Witz - worth checking out!

 

My Saturday - in art

March 15, 2008

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Degas - The Ballet lesson (I tried to keep this kiwi but I coudln’t resist Degas)

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Clairmont - Clothesline in the nor-wester

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Frizzell - Fresh vegetables

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Angus - Mother and Child

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Cover of James Brown’s “Lemon” Photo by Michelle Ardern

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Jonathan Gooderham with Simon’s Richardson’s painting of Anton Oliver.

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Ooops - thats not art…or maybe it is :-)